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Amy Beach: A Guide to Primary and Secondary Resources at the Library of Congress

Music Literature

The Music Division's collections include scholarship on Amy Beach and related subjects. This page describes the materials available for use both on-site in the Performing Arts Reading Room and elsewhere.

Books about Beach are usually classified under ML, Music Literature, in the Library of Congress Classification Schedule. Find them by searching the Library of Congress Online Catalog.

The Music Division's holdings include scholarly research on Beach, her music, and the world in which she lived. The following texts offer a representative sample of some of the seminal and more recent scholarly publications on her. The following titles offer a representative sample and link to fuller bibliographic information in the Library of Congress Online Catalog. Links to additional online content are included when available.

Beach wrote for journals, newspapers, and other publications throughout her career. The following articles, listed in chronological order, are a representative sample of Beach's publications. Find these publications by using the databases on-site to which the Library subscribes. See the "Databases and External Resources" page in this guide for more information on how to access them.

The Etude magazine, which published many of the following articles on this list, provides free access to its archive. Search by title in their database to locate the articles by Amy Beach that they published.

Here is the list of publications by Amy Beach:

  • “Cristofori redivivus,” Music, 16/May (1899), 1–5.
  • “Bird Songs.” The Designer (May 1911): 7.
  • “Why I Chose my Profession: the Autobiography of a Woman Composer." Mother’s Magazine, 11/Feb (1914), 7–8.
  • “The Outlook for the Young American Composer,” The Etude, 33 (1915), 13–14.
  • “Music’s Ten Commandments as given for Young Composers,” Los Angeles Examiner (28 June 1915).
  • “Common Sense in Pianoforte Touch and Technic,” The Etude, 34 (1916), 701–702.
  • “To the Girl who Wants to Compose,” The Etude, 35 (1918), 695.
  • “Work out your own Salvation,” The Etude, 36 (1918), 11–12.
  • “Emotion Versus Intellect in Music,” Studies in Musical Education, History, and Aesthetics, 26 (1932), 17–19.
  • “The Twenty-Fifth Anniversary of a Vision,” Studies in Musical Education, History, and Aesthetics, 27 (1933), 45–48.
  • “A Plea for Mercy,” Studies in Musical Education, History, and Aesthetics, 30 (1936), 163–165.
  • “Mrs. H. H. A. Beach Asks MacDowell Colony Aid.” Letter printed in The Musical Courier (April 1941).
  • “The Mission of the Present Day Composer,” Triangle of Mu Phi Epsilon, 36/Feb (1942), 71–72.
  • “How Music is Made,” Keyboard, 4 (1942), 11, 38.
  • “The ‘How’ of Creative Composition,” The Etude, 61 (1943), 151, 206, 208–209.
  • “The World Cries out for Harmony,” The Etude, 67 (1944), 11.
  • “Los Angeles “Fairyland” Marks an Epoch in American Music,” in H. Parker: “Fairyland” Scrapbook, US-NH.
  • “Music After Marriage and Motherhood.” Etude (Undated).

In addition, the following book includes an article by Amy Beach. The title links to fuller bibliographic information in the Library of Congress Online Catalog. Links to additional online content are included when available.