In the late 19th century, Helen Bertram rose to fame as a prima donna on stage as well as for her escapades off stage. This guide provides access to materials related to "Helen Bertram” in the Chronicling America digital collection of historic newspapers.
Chronicling America is a searchable digital collection of historic newspaper pages from 1777-1963 sponsored jointly by the National Endowment for the Humanities and the Library of Congress.
Included in the website is the Directory of US Newspapers in American Libraries, a searchable index to newspapers published in the United States since 1690, which helps researchers identify what titles exist for a specific place and time, and how to access them.
Despite being the leading American prima donna of her day, Helen Bertram’s story is often left unsung. Bertram was a comic opera soprano who trained at the Cincinnati College of Music before becoming the lead singer for various opera companies, such as Abbott, Conried, and the Bostonians. Her roles in “The Gingerbread Man” and “The Prince of Pilsen” helped to further develop the unique genre of comic opera. But her off-stage life may have been even more interesting, with scandalous affairs, deceased lovers, heated rivalries, and multiple bankruptcies. Read more about it!
The information in this guide focuses on primary source materials found in the digitized historic newspapers from the digital collection Chronicling America.
The timeline below highlights important dates related to this topic and a section of this guide provides some suggested search strategies for further research in the collection.
November 2, 1887
Rises to prominence as prima donna of the Abbott Opera Company.
Debuts as Julius in “The King’s Fool” for the Conried Opera Company.
November 9, 1893
Officially exposes her affair with Edward Henley. As both are married, their spouses pursue divorce.
October 6, 1903
Marries her third husband, Edward Morgan.
Mired in debt, Bertram announces her bankruptcy before the courts.
March 10, 1906
Faints upon hearing of the death of Morgan, her third husband.
Regains her success and is deemed “The Queen of Comic Opera.”