As the word ‘feminism’ in its modern connotation began to take root in everyday French media, the twentieth century saw an explosion of feminist thought and activism both in France and in its former colonies. Though much of the work on French feminism of the twentieth century has been concentrated on the so-called Second Wave of the 1960s and 1970s, in order to understand the demands of these well-known feminists such as Simone de Beauvoir, Christine Delphy, Hélène Cixous, and Monique Wittig, we must go back to the beginning of the period, following the First World War.
Despite the efforts of the nineteenth-century feminist activists and writers such as Hubertine Auclert and male feminist ally Léon Richer, it would not be until 1919 that a bill, ultimately vetoed in 1922, proposed women’s suffrage in the Chamber of Deputies. However, the class distinctions which had split the late nineteenth-century feminists grew even deeper in the first half of the twentieth century, drawing attention to other feminist issues (such as the right to equal working hours compared to their male counterparts). At the same time, the Catholic influence of family values in French politics encouraged women to remain in the domestic sphere. A landmark development of this time was the 1932 opening of the Bibliothèque Marguerite Durand as part of the Paris public library system. This library would continue to be host to one of the largest collections of French women’s publications as well as a venue for feminist and women’s studies events and art exhibitions. Today it is one of the primary resources for French Women’s Studies as a whole.
The study of women during the French Resistance of 1940-1945 remained under-researched until the late twentieth century, in part due to a hesitancy to sow division of any kind in a national history which upheld the notion of French universalism. However, the role of women in the Resistance, as well as female resisters’ position in French society in the 1940s and 1950s, has emerged over the past thirty years in women’s studies departments and intersectional research in women’s history. Many women participated in the Resistance and in the cases of Lucie Aubrac, Suzanne Buisson, Simone Segouin, Hélène Viannay and many more — they played an important role in founding Resistance groups. However, the French national liberation movement was not a women’s liberation movement and many of the women resisters did not receive, or seek, recognition in the years after 1945. Recent studies such as Les Parisiennes: how the women of Paris lived, loved, and died under Nazi occupation by Anne Sebba explore this devastating period in Paris's history by tracing the lives of women who were left to fend for themselves. During a time when men were sent into war or imprisoned by the Germans, Sebba presents this era as a time when women's power was ascending. Women of Jewish ancestry or faith faced bleak choices in life. The Journal of Hélène Berr chronicles the life of one such woman before her death in the Bergen-Belsen concentration camp just five days before the Liberation. Novels and film adaptations abound with the forbidden affairs that occurred between French women and the German officers occupying and policing the country. The retaliation against these women after the Liberation was swift and harsh — often shaving the heads of these women and parading them down the streets half naked. The French television series Un village française External depicts these dark years with nuance and honesty.
Even more neglected by scholarship at the time, but which has emerged in more recent scholarship, is the role played by women during the Algerian War of Independence (1954-1962). Witness to the loss of thousands of Algerian soldiers during the Second World War, and in response to nationalist uprisings such as Sétif and Guelma, in which thousands of Algerian demonstrators were killed by the French colonial authorities, Algerian women joined the FLN as Maquisards. There they fought, were taken prisoner, tortured, and killed alongside their male counterparts. Though women made up less than 20% of the maquis, many more contributed to the national liberation movement by preparing meals, washing and sewing clothes, and providing medical care for the guerrilla fighters. The prominent role of Algerian women was recognized in some of the measures of Charles de Gaulle’s Constantine Plan of 1957, which attempted to lend increased liberties, including education, marital and voting rights to women, though this was largely ineffective at such a late stage in the war. Swann Meralli and Deloupy depict the heroic deeds and brutal treatment of these women in the graphic novel Algériennes: The Forgotten Women of the Algerian Revolution.
The right to vote would not be granted to French women until 1944, making France one of the last European countries to grant female suffrage. Algerian women were granted the right to vote only in 1958. During the 1940s, more texts began to circulate which paved the way for the Second Wave of the 1960s and 70s and formed the basis of contemporary feminist theory. Simone de Beauvoir’s The Second Sex was published in 1949, outlining the subordination and subjugation of women throughout history on a biological, sexual, social, religious, and political level. The demands of the Second Wave feminists in France, then, were strongly founded on social rights and an end to economic, medical, and social discrimination. Women’s health was a major point of contention, with the Neuwirth Law of 1967 legalizing access to the contraceptive pill and, in 1975 the Veil Law decriminalizing abortion in France. These measures signified major breakthroughs in the fight for women’s equality.
Though the student and worker uprisings of May 1968 are seen as the touchpaper of the Second Wave, the changes in laws, and the broader shift in conversation on a national level had been brought about by decades of feminist organizing. As feminists became more active in strikes and demonstrations, what became known as the mouvement de libération des femmes (MLF) was born. In her book Daughters of 1968: Redefining French Feminism and the Women's Liberation Movement, historian Lisa Greenwald traces the birth of the MLF movement back to an event on August 26th, 1970 when a group of feminist activists were prevented by the police from holding a peaceful demonstration. The MLF as a movement was less of a unified group as the women involved preferred to work in smaller like-minded and independent clusters although they united for a few years behind reproductive rights. The Manifeste des 343 (Manifesto of the 343) appeared in the Nouvel Observateur on April 5th, 1971, bringing national attention to the issue of abortion by listing 343 women who revealed they had undergone illegal abortion procedures. The unified women's movement began breaking apart after abortion rights were won in 1974, in part because of radically different philosophies, priorities, and approaches of the participants and in part because of the commercial interests of one group which trademarked the name of the MLF thereby prohibiting its use by others. French historian Michelle Perrot has published numerous works on feminist studies and was one of the first to critically study French women in history. Her most recent book, Le temps des féminismes explores the struggles of women in France's history. Drawing from Olympe de Gouges, Hubertine Auclert, Arlette Farge, and others, she discusses the divisions of contemporary feminism and the progress made toward equality in the twentieth century. The 1990s and beyond saw a greater receptivity to women in public office and positions of power. Martine Aubry, Ségolène Royal and Elisabeth Guigou demonstrated the ability for women to represent political parties in a serious way. The Parity Movement (which was written into law beginning in 2000), requiring equal numbers of female and male candidates on a party slate, in commerce, and in wages, demonstrates the degree to which second wave feminism was a powerful force in France at the end of the twentieth century.
It is also worth noting that a large number of American women were drawn to Paris in the early twentieth century to escape the confines of their often limited roles. The avant-garde scene in France permitted more freedom and creativity for many women. Men too went to Paris for this reason of course, and many Americans who felt hemmed in either due to their race or sexuality felt liberated in France where they were free to express themselves and live a more authentic life. This was especially true for those in the fields of art, literature, dance, publishing, music, and fashion. The 2024 exhibit at the Smithsonian National Portrait Gallery, "Brilliant Exiles" External uses portraiture and works of art to highlight many of these American women who made Paris their new home. Figures such as — Berenice Abbott, Josephine Baker, Zelda Fitzgerald, Peggy Guggenheim, Romaine Brooks, and Gertrude Stein — are discussed in the exhibit catalog, Brilliant exiles : American women in Paris, 1900-1939, by curator, Robyn Asleson with Zakiya R. Adair, Samuel N. Dorf, Tirza True Latimer, and T. Denean Sharpley-Whiting.
Complete digitized collections of French women's press are available for both Presse féminine External and Presse féministe External from Gallica.
For further information see: French feminisms 1975 and after : new readings, new texts and French Feminist Criticism: Women, Language, and Literature: An annotated Bibliography by Elissa D. Gelfand and Virginia Thorndike Hules.
The following titles link to fuller bibliographic information in the Library of Congress Online Catalog. Links to additional online content are included when available.
The following titles link to fuller bibliographic information in the Library of Congress Online Catalog. Links to additional online content are included when available.
The following titles link to fuller bibliographic information in the Library of Congress Online Catalog. Links to additional online content are included when available.
The Library of Congress Online Catalog represents a collection of over 18 million catalog records for books, serials, manuscripts, maps, music, recordings, images, and electronic resources in the Library of Congress collections. To find additional materials about Women in the French Revolution it is useful to browse by authorized subject heading. The following Library of Congress Subject Headings (LCSH) will reveal the most relevant materials in the Library's collections.
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