The only up-to-date and comprehensive text and reader of Algerian literature available in English, Algerian Literature: A Reader's Guide and Anthology offers the reader a historical and critical overview of the literature from the early twentieth century to the present, introduces Algerian authors, and provides selections from a wide range of their writings, many translated here for the first time. It begins with an overview chapter that charts the evolution of Algerian literature and puts it in its proper historical context, followed by five thematic chapters: decolonization and cultural affirmation, the War of Independence, modernization and its discontents, emigration, and history. The chapters begin with introductions on the themes under discussion and the selections are preceded by biographies of the authors, as well as detailed summaries of the larger works from which they are extracted. Finally, each chapter concludes with a bibliography and sources for readers seeking additional information and insight. The selections included in Algerian Literature: A Reader's Guide and Anthology have been carefully chosen to reflect the richness and diversity of Algerian literature. Accordingly, they are extracted from various literary genres: novels, plays, and poems. Furthermore, they are from works that belong to different literary movements: realism, modernism, and postmodernism. The variety and the outstanding quality of the selections, along with the superb introductions, summaries, and biographies make Algerian Literature: A Reader's Guide and Anthology an ideal text for courses in Algerian, Francophone, and world literature courses. It will also be of interest to general readers outside the classroom who want to broaden their literary horizons.

From the bestselling literary magazine that took France by storm after its launch in the wake of the 2016 presidential election, a collection of pieces by today's leading Francophone writers that constructs a unique map of America From Alexis de Tocqueville's Democracy in America to the moveable feasts of the Lost Generation, France and the United States have long shared a special relationship, defined as much by romantic fascination as occasional incomprehension. François Busnel, host of the acclaimed literary talk show La Grande Librairie, seeks to bridge this gap with America, a journal of literature and politics conceived in the aftermath of the election of Donald Trump, now available to English readers for the first time. In this insightful collection of pieces from the magazine, Alain Mabanckou sketches the outlines of his Los Angeles, where he finds a sense of belonging far from his home country of the Republic of the Congo. LeiÌ^la Slimani considers the ways #MeToo is shaping a new discourse around consent on college campuses, and Philippe Besson takes an old-fashioned road trip across the American heartland as he drives from Chicago to New Orleans. Joël Dicker traipses through Yellowstone National Park on the lookout for grizzlies, while Alice Zeniter wanders the scorching streets of Las Vegas on foot. Featuring a poignant interview with National Book Award winner Louise Erdrich and original work in English by luminaries including Richard Powers, Colum McCann, and Laura Kasischke, America suggests a new way of understanding the enduring relationship between France and the United States, one that has never been read in quite this way before. From the streets of Manhattan to the Wyoming wilderness, across rural Pennsylvania's Amish country to the bright lights of Hollywood, America takes us on a criss-crossing road trip across the country as it archives accounts of the administration of the past four years and offers a moving testament to the essential power of literature to unite in times of division.

With more than two hundred entries by leading intellectuals in the French- and English-speaking world, this new volume presents the authoritative guide to twentieth-century French thought. Unrivaled in its scope and depth, The Columbia History of Twentieth-Century French Thought covers and critiques the intellectual figures, movements, and publications that helped shape and define fields as diverse as history and historiography, psychoanalysis, film, literary theory, cognitive and life sciences, literary criticism, philosophy, and economics. The contributors also discuss developments in French thought on such subjects as pacifism, fashion, gastronomy, technology, and urbanism. More than just a reference volume, The Columbia History of Twentieth-Century French Thought offers original and imaginative explorations of a variety of topics. Contributors include prominent French thinkers, many of whom have played an integral role in the development of French thought, and American, British, and Canadian scholars who have been vital in the dissemination of French ideas. The book brings together such pairings as Etienne Balibar on Althusser; Jean Baudrillard on the futures of theory; Judith Butler on Hegel in France; Régis Debray on mediology; Julia Kristeva on Proust; Michael Morange on the life sciences; Paul Ricoeur on ethics; Elisabeth Roudinesco on psychoanalysis; and Roger Shattuck on humanisms. The book is divided into four parts: Movements and Currents (including all the major schools of thought, such as the Annales, deconstruction, Gaullism, négritude, the New Right, psychoanalysis, and structuralism); Themes (ideas that helped define intellectual work in the twentieth century, such as anti-Semitism, the avant-garde, everyday life, film theory, and nationalism); Intellectuals (including critical accounts of the lives and work of such figures as Aron, Barthes, de Beauvoir, Deleuze, Derrida, Foucault, Irigaray, Kristeva, Levinas, and Proust); and Dissemination (covering influential journals, television shows, radio programs, and newspapers).

This book covers literature from the age of reason through realism.

Through an analysis of films as diverse as Jean de Florette, Ma Vie en rose and Nikita, this collection of essays is a comprehensive introduction to the concerns and styles that characterise contemporary popular French film. Set within economic, political and social context, France on Film reconsiders the direction French cinema is taking today, bringing into focus critical questions concerning wide-ranging notions of French culture, identity and nationhood. Examining questions of popular cinema as opposed to art cinema, this book also seeks to (re)present films that have been widely popular in France and internationally and to thus challenge the traditional art-house view of contemporary French cinema.

Connoisseurs of fantasy, science fiction, and horror have long recognized the important contributions of thousands of French authors, filmmakers, and artists.The volume is divided into two parts. Part I gives historical overviews, complete lists, descriptions, and summaries for works in film, television, radio, animation, comic books, and graphic novels. This section also includes interviews with animation director Rene Laloux and comic book artist Moebius, as well as comments from filmmaker Luc Besson. Biographies are provided for over 200 important contributors to television and graphic arts.Part II covers the major authors and literary trends of French science fiction, fantasy, and horror from the Middle Ages to the present day. (French-Canadians and Belgians are also examined.) There is a biographical dictionary of over 3,000 authors, a section on major French awards, and a complete bibliography. Many illustrations (!) illuminate this thorough presentation.

Throughout the world, there has been much scholarly and general interest in French popular culture, but very little has been written on the subject in English. The authors of this book address that lack in a series of highly readable and well-documented essays describing French life styles, attitudes, and entertainments as well as the writers and performers currently favored by the French public. Several chapters explore French tastes in popular literature and other reading matter, including comics, cartoons, mystery and spy fiction, newspapers and magazines, and science fiction. Film, popular music, radio, and television are also discussed in detail, and influences from other cultures--particularly American imports--are assessed. The remaining essays examine French sports, the use of leisure time, the French style of eating and drinking, and relations between men and women and their attitudes toward romantic love. Each chapter provides up-to-date historical and bibliographic information that will enable the reader to pursue subjects of particular interest. Written by an international group of specialists, this handbook offers the benefits of broad coverage, a variety of viewpoints, and solid scholarship.

This is an updated account and comparison of all the major traditions and tendencies in the French theatre from the outbreak of the Second World War to the opening of the 1990s. In the fifty-year period covered by this book, French theatre has undergone profound changes, at both the institutional and artistic level. In this book David Bradby assesses these developments in styles of writing, criticism, acting, directing and stage design. Bradby does not confine his account to events in Paris but also considers the work of the Centres Dramatiques and Maisons de la Culture. While giving due attention to the work of well-known playwrights such as Beckett, Ionesco, Adamov and Genet among others, Bradby also shows that the period has been a rich one for experimentation in French theatre. The book also contains an introductory survey of the French theatre of the inter-war years and concludes with a bibliography and an historical table of productions. It is illustrated with black and white photographs and is intended for students of drama as well as French literature; the political and cultural background is explained and all quotations are in English.

The New Oxford Companion to Literature in French is far more than a simple revision of the original Oxford Companion to French Literature, published in 1959, and described by The Listener as the `standard work of reference for English-speaking enquirers into French literature'. As the changein title implies, this completely new work presents an authoritative guide not only to ten centuries of literature produced in the territory now called France, but also to the rich literary output of other French-speaking countries around the world.The scope of the Companion is deliberately open and inclusive, challenging and extending the traditional canon. Literature is understood in a broad sense, ranging from strip cartoon and pamphlet to tragedy and epic, and particular attention is devoted to francophone writing from outside France.Written by an international team of specialists, entries cover individual authors and works - over 3,000 of them - from the troubadours to Cesaire, and from La Princesse de Cleves to La Vie mode d'emploi. Each is discussed in detail within their historical, cultural, and intellectual context.Among the new features of the Companion are the substantial essay-entries, reflecting up-to-date scholarship and theoretical debates on topics such as:- literary movements and genres- historical subjects such as chivalry, or Occupation and Resistance in wartime France- movements of thought from Scholasticism to feminism- linguistic topics- the sciences- the arts and media, including opera, cinema, and pressAs a divertissement for readers, an entry on `Quotations' lists 100 well-known quotations from the canon of French literature.Adventurous and wide-ranging, The New Oxford Companion to Literature in French will be an indispensable and hugely enjoyable reference work for all scholars, students and general readers.

For the first time, this is an anthology of 100 pieces of 'Oulipo' writing, celebrating the literary group who revelled in maths problems, puzzles, trickery, wordplay and conundrums. Featuring writers including Georges Perec, Raymond Queneau and Italo Calvino, it includes poems, short stories, word games even recipes. Alongside these famous Oulipians, are 'anticipatory' wordsmiths who crafted language with unusual constraints and literary tricks, from Jonathan Swift to Lewis Carroll.