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The collections held by the American Folklife Center (AFC) at the Library of Congress comprise cultural documentation of folk and traditional culture from six continents, every U.S. state and territory, and the District of Columbia. Additionally, AFC staff maintain reference resources that provide descriptive access to our collections; create digital publications such as blogs or podcasts that offer interpretation and context for our collections; and produce public programming that augments collection materials.
These geographic guides offer entry points into the above resources, and draw on the collective knowledge and expertise of the AFC staff.
American Folklife Center collections from Kenya document the diversity of its expressive culture. Among its unique collections are documentation of various indigenous peoples of Kenya including wax cylinder recordings of traditional music thought to have been made by James Barnes in about 1913, documentation of traditional dance and events by ethnographer Judith Lynne Hanna in 1963, and documentation of traditional music by ethnomusicologist Vida Chenoweth in 1983. In 2009 the American Folklife Center participated in a Cultural Documentation Training for Indigenous Communities program in Kenya, working with the Maasai community and a video of a public program about this project is included below.
Winyo performs traditional Luo songs infused with witty storylines, Afro fusion, Afro jazz, and Benga (a mix of contemporary music with traditional Kenyan Luo music in which the guitar is played to mimic a Luo eight-string lyre called a nyatiti). Winyo sings in Dholuo, Swahili and English. Born Shiphton Onyango, Winyo adopted the artistic name "Winyo," which is a Luo word for "bird." The Luo are a tribe from the Lake Victoria region of Western Kenya. He says that he derives his music and musical strength from his forefathers, whose African music was rich in melody and traditional harmonies. (Event date: July 01, 2014)
The following materials link to fuller bibliographic information in the Library of Congress Online Catalog. Links to digital content are provided when available.
The international documentary training program discussed in this presentation aims to provide indigenous communities with the technical and methodological skills needed to record, maintain and preserve aspects of their traditional cultural heritage and public representations. The presentation provides an inside perspective into the aims, goals and initial results from the program. It is jointly produced by the American Folklife Center at the Library of Congress, the Maasai Cultural Heritage Foundation, a community-based organization of Maasai people in Laikipia, Kenya, the World Intellectual Property Organization in Switzerland and Duke University's Center for Documentary Studies. (Event date: April 07, 2010)