This guide is organized alphabetically by country. Select a country name from the left-navigation menu for an alphabetical list of composers from that country with primary sources in the Music Division's collections. Composers who have four or more primary sources in the Music Division's collections have their own sub-pages under their country name. For example, Heitor Villa-Lobos has a sub-page under Brazil, rather than listings on the main Brazil page.
Composers are listed alphabetically by last name in this research guide using the Library of Congress Name Authority File for that composer. Alphabetical listing occurs on the country charts and by the order of sub-pages for individual composers under their respective countries.
It is important to note that many Latin American composers' names appear differently throughout various reference resources. These discrepancies are most notable between the Library of Congress Name Authority File and Latin American Classical Composers: A Biographical Dictionary, third edition, especially for Brazilian composers.
Birth and death dates are provided if found in authoritative reference resources. When this information has not be found or verified, you will see "dates unknown" or estimates such as "19th c." Information about many Uruguayan composers not listed in Latin American Classical Composers: A Biographical Dictionary, third edition was found in an open-access online database, autores.uy: la base du datos de autores de Uruguay External.
Primary sources in this guide are individually cataloged or part of special collections. The following primary source types are found throughout the guide:
|Correspondence||letters, telegrams, postcards, and calling cards from a Latin American composer to another individual or organization|
|Holograph Score or Sketch||notated music, either complete (score) or in draft form (sketch) in the hand of the composer|
|Copyist Manuscript||handwritten score copied from the composer's original by another individual|
|Facsimile Score||copy of a score in the composer's hand (includes photocopies, ozalids, and other chemical or printing processes)|
|Photographs, Negatives, and Iconography||images of composers, either as photographs, photographic negatives, slides, or original drawings|
|Special Collection||an entire group of materials created or collected by a Latin American composer|
|Other Manuscript||miscellaneous sources of note due to unique features, such as published music with inscriptions from the composer or facsimile scores with the composer's annotations|
Titles of musical works are supplied for holograph, copyist, and facsimile scores.
Dates for all primary sources in this guide are provided if identified. Dates in this guide follow the format required by Describing Archives: A Content Standard (Version 2019.0.3) [PDF]. You will see dates listed as:
All primary sources in this guide are in the custody of the Music Division. "Location / Call Number" as used in this guide refers to:
Because not all items or collections are in the online catalog, as much information as possible is provided in this guide so that users may still request items in the Performing Arts Reading Room.
Not all special collections are stored on site. Be sure to contact us at least two weeks ahead of your visit so that we may review the site and processing status of the special collections that interest you.
If the "Location / Call Number" is listed as "Music Division Old Correspondence," this is not a formal special collection. These are archival institutional records of the Music Division, including correspondence, publicity materials, and program drafts. Inventory and access is available upon request. Records are arranged alphabetically by correspondent.