From the Young People's Poet Laureate Margarita Engle comes a searing novel in verse about the Zoot Suit Riots of 1943. Thousands of young Navy sailors are pouring into Los Angeles on their way to the front lines of World War II. They are teenagers, scared, longing to feel alive before they have to face the horrors of battle. Hot jazz music spiced with cool salsa rhythms calls them to dance with the local Mexican American girls, who jitterbug all night before working all day in the canneries. Proud to do their part for the war effort, these Jazz Owl girls are happy to dance with the sailors--until the blazing summer night when racial violence leads to murder. Suddenly the young white sailors are attacking these girls' brothers and boyfriends. The cool, loose zoot suits they wear are supposedly the reason for the violence--when in reality these boys are viciously beaten and arrested simply because of the color of their skin. In soaring images and powerful poems, this is the breathtaking story of what became known as the Zoot Suit Riots as only Margarita Engle could tell it.

The notorious 1942 "Sleepy Lagoon" murder trial in Los Angeles concluded with the conviction of seventeen young Mexican American men for the alleged gang slaying of fellow youth Jose Diaz. Just five months later, the so-called Zoot Suit Riot erupted, as white soldiers in the city attacked minority youths and burned their distinctive zoot suits. Eduardo Obregon Pagan here provides the first comprehensive social history of both the trial and the riot and argues that they resulted from a volatile mix of racial and social tensions that had long been simmering. In reconstructing the lives of the murder victim and those accused of the crime, Pagan contends that neither the convictions (which were based on little hard evidence) nor the ensuing riot arose simply from anti-Mexican sentiment. He demonstrates instead that a variety of pre-existing stresses, including demographic pressures, anxiety about nascent youth culture, and the war effort all contributed to the social tension and the eruption of violence. Moreover, he recovers a multidimensional picture of Los Angeles during World War II that incorporates the complex intersections of music, fashion, violence, race relations, and neighborhood activism. Drawing upon overlooked evidence, Pagan concludes by reconstructing the murder scene and proposes a compelling theory about what really happened the night of the murder.

What began as a neighborhood party during the summer of 1942 led to the largest mass murder trial in California's history. After young Jose Diaz was found murdered near Los Angeles' Sleepy Lagoon reservoir, 600 Mexican Americans were rounded up by the police, 24 were indicted, and 17 were convicted. But thanks to the efforts of crusading lawyers, Hollywood celebrities, and Mexican Americans throughout the nation, all 17 convictions were thrown out in an appellate decision that cited lack of evidence, coerced testimony, deprivation of the right to counsel, and judicial misconduct. Mark Weitz chronicles the Sleepy Lagoon case (People v. Zammora) from the streets of the L.A.'s Mexican-American neighborhoods to the criminal courts, through the appeals process, and to the ultimate release of the convicted. In the process, Weitz opens a window on the uneasy world of Hispanic-Anglo relations, which, exacerbated by an influx of Mexican immigrants, had simmered beneath the surface in California for a century and reached the boiling point by 1942. By demonstrating how an environment of hostility and fear had fostered a breakdown in the legal protections that should have been afforded to the Sleepy Lagoon defendants, Weitz also illuminates a vital episode in the evolution of defendants' rights--including the right to counsel and a fair and impartial trial. As the case unfolded, the prosecution and local media drew ominous comparisons between the supposed dangers posed by the Mexican-American defendants and the threat allegedly posed by thousands of Japanese Americans, whose sympathies had been called into question after Pearl Harbor. Weitz shows how Zammora demonstrates what it is like to literally be tried in the court of public opinion where the "opinion" has been shaped before the trial even begins. Now, as Americans once again feel threatened by outsiders--whether Islamic jihadists or illegal immigrants--Zammora provides a mirror showing us how we acted then compared to how we respond now. While much of what occurred in 1942 L.A. was unique to its time and place, Weitz's compelling narrative shows that many of the social, political, and culture issues that dominated America then are still with us today.

Los Angeles, the summer of 1943. For ten days in June, Anglo servicemen and civilians clashed in the streets of the city with young Mexican Americans whose fingertip coats and pegged, draped trousers announced their rebellion. At their height, the riots involved several thousand men and women, fighting with fists, rocks, sticks, and sometimes knives. In the end none were killed, few were seriously injured, and property damage was slight and yet, even today, the zoot-suit riots are remembered and hold emotional and symbolic significance for Mexican Americans and Anglos alike. The causes of the rioting were complex, as Mazón demonstrates in this illuminating analysis of their psychodynamics. Based in part on previously undisclosed FBI and military records, this engrossing study goes beyond sensational headlines and biased memories to provide an understanding of the zoot-suit riots in the context of both Mexican American and Anglo social history.

Marching through the streets of downtown Los Angeles, a mob of several thousand soldiers, sailors, and civilians, proceeded to beat up every zoot suiter they could find. Pushing its way into the important motion picture theaters, the mob ordered the management to turn on the house lights and then ran up and down the aisles dragging Mexicans out of their seats. Streetcars were halted while Mexicans, and some Filipinos and Negroes, were jerked from their seats, pushed into the streets and beaten with a sadistic frenzy." - Carey McWilliams, journalistEven enemies will agree that the United States is a unique nation, in that its culture has been developed almost entirely by immigrants, people who have come to the country from other places and carved their way into society. Sometimes called a melting pot, sometimes a tossed salad, the nation has been shaped by all that is good and bad of the people who live here. Sadly, history has taught that where there is immigration, there will always be conflict. Just as any newly married couple will argue over whose family to spend the holidays with, so those coming from different nations and cultures will clash over which traditions can be integrated into the new society and which ones must be left behind. One might think that after some 400 years of dealing with these issues, the nation would have mastered the subject, but instead the opposite seems true. In the early days of 2016, Americans are engaged in a heated presidential campaign fraught with rhetoric and fear over the role of immigrants in the United States. Candidates frequently speak out against certain cultures, insisting they are dangerous to the American economy or even national security. Because the nation is at war against an enemy defined more by religion and ethnicity than traditional national boundaries, there is a heightened sense of fear and that is adding fuel to the debate and no doubt clouding the judgment of many who are speaking out. They are warning the American people that there had never been a crisis like this in the nation's past, and that swift action must be taken or the country will not survive.The truth is that there has been a crisis much like this and that actions taken in the past, while often swift, was also just as often unjust. Few examples signify that like the Zoot Suit Riots, the national crisis that precipitated them, and the culture of fear and bigotry that nurtured them. If the name of the event sounds silly, its premise was both nearly comical but also deadly serious. It was the product of people of different races, cultures and practices, a story of immigration and clashes between nations on a grand scale and police and young people on an intimate one. The story unfolded in 1942 and 1943 but has been a recurring issue. If indeed, as philosopher George Santayana so famously contended, "those who cannot remember the past are condemned to repeat it," then the Zoot Suit Riots are one aspect of our nation's history that proves it. The Zoot Suit Riots: The History of the Racial Attacks in Los Angeles during World War II looks at the riots in L.A. during the war.

Flamboyant zoot suit culture, with its ties to fashion, jazz and swing music, jitterbug and Lindy Hop dancing, unique patterns of speech, and experimentation with gender and sexuality, captivated the country's youth in the 1940s. The Power of the Zoot is the first book to give national consideration to this famous phenomenon. Providing a new history of youth culture based on rare, in-depth interviews with former zoot-suiters, Luis Alvarez explores race, region, and the politics of culture in urban America during World War II. He argues that Mexican American and African American youths, along with many nisei and white youths, used popular culture to oppose accepted modes of youthful behavior, the dominance of white middle-class norms, and expectations from within their own communities.

World War II marked a turning point for Mexican Americans that fundamentally changed their expectations about how they should be treated by the greater U.S. society. The experiences of fighting alongside white Americans in the military, as well as of working in factory jobs for wages equal to those of Anglo workers, made Mexican Americans less willing to tolerate the second-class citizenship that had been their lot before the war. Having proven their loyalty and "Americanness" during World War II, Mexican Americans in the postwar years wanted to have the civil rights they knew they had earned. In this book, Richard Griswold del Castillo and Richard Steele investigate how the World War II experiences of Mexican Americans galvanized their struggle for civil rights and how the U.S. government responded to the needs and aspirations of Mexican Americans. The authors demonstrate, for example, that the U.S. government "discovered" Mexican Americans during World War II and set about addressing some of their problems as a way of forestalling a sense of grievance and disaffection that might have made the Mexican American community unwilling to support the war effort. The authors also show that, as much or more than governmental programs, the personal wartime experiences of Mexican Americans formed their civil rights consciousness. The book concludes with a selection of key essays and historical documents from the World War II period that collectively gives a first-person understanding of the civil rights struggles of Mexican Americans.