The Library began collecting motion pictures in 1893 when Thomas Edison and his assistant W.K.L. Dickson deposited the Edison Kinetoscopic Records for copyright. This guide focuses on moving image materials available from the Library.
Have a question? Need assistance? Use our online form to ask a librarian for help.
Author:
Amanda Jenkins, Librarian-in-Residence, Motion Picture, Broadcasting, and Recorded Sound Division
Karen Fishman, Supervisor, Moving Image and Recorded Sound Research Centers, Motion Picture, Broadcasting, and Recorded Sound
Created: June 28, 2018
Last Updated: November 15, 2018
Introduction
The Library of Congress began collecting motion pictures in 1893 when Thomas Edison and his assistant W.K.L. Dickson deposited the Edison Kinetoscopic Records for copyright. Although there was no provision in the copyright law for motion pictures until 1912, early film producers such as Edison printed their movies on paper rolls and sent them to the Library of Congress as still photographs. In 1912, the copyright law established motion pictures as a distinct form, but the Library chose not to house the flammable nitrate film in use at the time and returned all works to the claimants, retaining only descriptive printed material relating to the films that accompanied nitrate film deposits. In 1942, recognizing the importance of motion pictures and the need to preserve them as a historical record, the Library began the collection of the films themselves; from 1949 on these included films made for television. Today the Motion Picture, Broadcasting and Recorded Sound Division (MBRS) is responsible for the acquisition, cataloging and preservation of the Library's motion picture and television collections. The Moving Image Research Center provides access and information services to an international community of film and television professionals, archivists, scholars and researchers. Our holdings complement the audio recordings served in the Recorded Sound Research Center.
Written by Motion Picture, Broadcasting and Recorded Sound staff, Now See Hear showcases collections, announces new acquisitions and projects, publicizes public programs, provides information about the Film and Recording Registries, and discusses the procedures and technology being used to describe, preserve, and make accessible our audiovisual heritage.