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The collections held by the American Folklife Center (AFC) at the Library of Congress comprise cultural documentation of folk and traditional culture from six continents, every U.S. state and territory, and the District of Columbia. Additionally, AFC staff maintain reference resources that provide descriptive access to our collections; create digital publications such as blogs or podcasts that offer interpretation and context for our collections; and produce public programming that augments collection materials.
These geographic guides offer entry points into the above resources, and draw on the collective knowledge and expertise of the AFC staff.
American Folklife Center collections contain rich material documenting the folk traditions of Vermont. Among its sound recordings are cylinder recordings of New England ballads and folksongs collected by Phillips Barry dating from the 1930s, the Helen Hartness Flanders Collection documenting the folk music of New England, and recordings made by ballad collector and singer Margaret MacArthur.
In addition, a collection by anthropologist Anthony (Tony) Grant Barrand includes audio and video documentation of traditional English song and dance, May Day traditions, and performances by the Marlboro Morris Men, Green Mountain Mummers, and others at various locations in Vermont and New England.
The following materials link to fuller bibliographic information in the Library of Congress Online Catalog. Links to digital content are provided when available.
Daisy Turner (1883-1988), born in Grafton, Vermont, the daughter of freed African American slaves, grew up listening to her father, Alec (1845-1923), tell stories of his family’s heritage. It was a multigenerational saga spanning two centuries, from enslavement in Africa, to a farmstead in Grafton. Over the course of numerous interviews with folklorist Jane Beck, Daisy shared these stories of her family, and also told her own life story, one of discrimination, resilience and strength—a powerful and rare account of the African American experience in New England from the 1880s forward. This talk considers Daisy Turner’s narrative in terms of memory and within a larger canvas of social, cultural, and historical events.